mary ball
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‘‘I work with cloth in a very direct way, as if it were paint or clay. I use the machine in tune with rhythms of my body and thoughts, to join and shape the piece’’ Mary Ball - 1996

 
 
 
 

‘‘They are ambiguous and insubstantial. Some are in rags, some roughly mended; none are whole. I like to group two or three together to observe the vibrations between them and how much space they can use’’  Mary Ball - 1993

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‘‘SLOW / CLOSE / QUIET /

ABSENCE OF EFFORT’’ Mary Ball

 
 
 
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